STATEMENT OF INTENT & INSIDE PAGE CONTENT!

 

STATEMENT OF INTENT & INSIDE PAGE CONTENT:

Statement of intent:

Drama

• TV drama: Drown the Past 

• Tag line: Even your blood can turn against you  

• Genre: Crime drama 

• Season 1: 10 episodes: EP 1  

• Streaming service: Netflix  

• Overall narrative: one mum, one detective, one of the two sisters dead. Who killed her? 

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Print: Magazine

My print coursework: Screen Scoop will contain a cover page of the star (Amelia) of my drama, a feature discussing the scenes and production of the crime drama and a contents page. I will use low key and high-key on location photos for my magazine to keep both its cultural aspect, and its London-based themes, such as shooting my front cover either a plain background or a background of a location from the scene. The main cover will be designed in a very modernized way compared to other magazines this is because this is aimed at a target audience of 16+ so it looks appealing to young adults for them to purchase the magazine.

The front cover of the magazine will include all the key conventions such as a barcode and title (Screen Scoop), taglines, and the main image of the star. The positioning of these key conventions will be different compared to older magazines this is so that Screen Scoop can look different and "something new" for the consumers. The inside pages of my magazine will cover the aspects of crime as a genre and will include an interview with two main characters of the drama which will end with an interview with the director, this will focus on the behind-the-scenes of the drama.

Concept/ Media Language: 

This show will be based on a single parent family, a mum and two sisters, Amelia and Everlyn. Amelia has gone to grab some lunch after her mum's sudden leave for an urgent meeting. Everlyn remains home. On Amelia's way back home Everlyn is found dead. Following the investigation that begins to take place to find out who killed Everlyn. All at the same time as the bracelet that is found by the detective that seems to be one that he is wearing himself. Creating Enigma codes that slowly starts revealing the truth in terms of Barthes narrative codes. This ending will end in a cliffhanger. 

Locations: 

• Home in West London: so that the audience familiarises themselves with the characters and understand them. 

• The park in West London: which is where Everlyn will be found dead. Also, to convey an atmosphere that shows a sense of eerie and gloomy theme. 

Shots/angles 

• Close ups of the note that the mum leaves before she goes, and the note left near the body 

• Long shots of the sisters coming downstairs to find out where the mum went, Amelia walking and finding out of the incident on her way back, near the end when the villain is revealed (Propp’s character theory) 

• Tracking: when Amelia will be walking faster to know what happened 

• Match on action shot opening the door, reading the note 

• Shot reverse shot: Amelia talking to the detective  

Sound 

• Diegetic sound: dialogue to communicate narrative, voice overs 

• Non- Diegetic sound: music where there is tension being built for a faster pace effect- key convention of crime genre 

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Audience: 

The target audience for my crime drama is going to be between the age 15-35. This will be aimed at a family-based audience. To follow OFCOM’s rules and regulations when it comes to regulating my crime drama will not show any form of drugs, smoking and violent and dangerous behaviour that may be classified as harmful. This will appeal to both genders. The psycho-graphics of my audience include aspirers, explorers and succeeders. I mainly believe it will be more relevant to my aspirers' audience. This is because my crime drama is a murder investigation-based drama and will mainly attract audience that are looking for a career in the law and police sector of the industry and those who aspire to be like them. The show will be constructed and will borrow conventions from other dramas that my audience like to watch such as ‘one of us is lying’ and ‘pretty little thing’. Blumer and Katz, uses and gratification theory will do this through diversion, which will be provided by a gripping narrative arc as the audience will escape from everyday life as they would be trying to binge watch the episodes to find out who the real villain is. This show will allow audience to interpret the show however they like creating their own negotiated and preferred reading in terms of Stuart Hall’s reception theory.  

Representations: 

Gauntlet's idea of masculinity being in crisis: he believes that masculinity is not in crisis, and so that they are adapting to the modern world this subverts the idea of men always being dominating and the hero or villain in every movie, However the argument of masculinity being in crisis could be shown in this show as the women are increasingly assertive and successful, men are anxious and confused in this show the women is holding the power. 

This drama will subvert the stereotype of the male being the villain in every story line, as this season will show the female as the villain, a male is usually seen as the well knowing and most powerful character and the female is shown as the weak and emotional one, however this show the opposite on what every typical audience would expect the villain to be. 

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Media Industries and digital convergence: 

This show will be released on Netflix, as the programme is known for airing teen/ family dramas. Netflix also shows new shows on the audience’s suggested menu which will target my audience in a much easier way. For further promotion of this drama, there will be posts, tweets and hashtags that will be used in all social media platforms including twitter, Facebook and TikTok. TikTok and twitter will be my main two platforms as this is one of the ways where creators can be tagged in. Tiktok is a platform where audience like to recommend their audiences new shows and like to rank different Netflix shows by giving their opinion and views on it. This will help to build excitement on the second episode release. Twitter is how hashtags are created and a way how a new release becomes the “hottest topic”. They do this by tweeting memes, comments and opinions that engage other audience who aren't familiar to watch the show.  

 

Inside page content: 400 words:

Crime has long been a captivating subject in the realm of entertainment, and its allure shows no signs of waning. From bestselling novels to blockbuster films and binge-worthy television series, crime stories continue to captivate audiences worldwide. In this issue, we delve into the phenomenon of crime as a genre and explore the reasons behind its enduring popularity.

As you immerse yourself in the pages of this issue, prepare to uncover the secrets behind the enduring popularity of crime as a genre. From the adrenaline rush of solving mysteries to the profound exploration of the human condition, crime stories continue to fascinate and enthrall audiences, offering a glimpse into the darker corners of the human experience and reminding us of the power of storytelling to both entertain and enlighten.

Interview with the Director & The message behind it

Interviewer: Good afternoon, Tanisha. Thank you for joining us today. Let's delve into your upcoming crime drama, Drown the Past. Can you give us a brief overview of the story line?

Tanisha: Thank you for having me. Certainly. The story revolves around the mysterious death of a young woman, and the subsequent accusation of her sister as the perpetrator. However, as the investigation unfolds, it's revealed that their own mother is the one responsible for the tragedy.

Interviewer: That sounds gripping. What inspired you to explore such a complex family dynamic in the context of Drown the past?

Tanisha: I've always been fascinated by the complexities of familial relationships, especially when placed under extreme pressure. The idea of betrayal within a family unit and the lengths individuals will go to protect their secrets was a compelling theme to explore within the framework of a crime drama.

Interviewer: The theme of betrayal and secrets within a family certainly adds depth to the narrative. How did you approach balancing the emotional aspects of the story with the procedural elements of the crime investigation?

Tanisha: It was crucial for me to maintain a delicate balance between the emotional journey of the characters and the procedural aspects of the investigation. I wanted the audience to feel invested in the personal struggles of each character while also being engrossed in the unravelling of the mystery. This was achieved through meticulous attention to character development and pacing throughout the narrative.

Interviewer: Speaking of character development, can you shed some light on the protagonist, the accused sister, and how she navigates the turmoil of being wrongfully accused while grappling with the truth about her mother?

Tanisha: Absolutely. The accused sister serves as the emotional anchor of the story. She undergoes a profound transformation as she confronts the reality of her situation and begins to unravel the layers of deception within her own family. Her journey is one of resilience and self-discovery, as she fights to clear her name while coming to terms with the shocking truth about her mother.

Interviewer: It sounds like a riveting character arc. Finally, what do you hope audiences will take away from watching this crime drama?

Tanisha: Above all, I hope this film prompts audiences to reflect on the complexities of family relationships and the consequences of buried secrets. Beyond the thrilling mystery, I want viewers to engage with the moral dilemmas faced by the characters and perhaps even reconsider their own perceptions of trust and betrayal within their own lives.

Interviewer: Thank you for sharing your insights with us, Tanisha. We're eagerly anticipating the release of your film.

Tanisha: Thank you for having me. It's been a pleasure.